Our Junior year you turned 16 about 9 months ahead of me, and your parents gave you your dad's old diesel Mercedes as a birthday gift, which wasn't quite as fancy as it sounds. It started the majority of the time, but it took ages to warm up at high idle. The stereo didn't work, two of the doors were nearly impossible to open, and the heater ran only on full heat or not at all but neither at your behest. On cold mornings that winter I'd watch from my bedroom window for the cloud of steamy smoke rising over the rooftops that signaled you had started the engine and were letting it warm. I had about 5 minutes from the time the cloud cleared the rooftops until you would be at the curb in front of my house to pick me up for the ride across town to school. Even after the ritual warming, that car had to be coaxed into accelerating for most of the two mile trip.
I loved walking from the parking lot onto campus with you. You weren't terribly popular in the traditional football star sense, but you were cute and friendly and seemed to know everyone and I just though you were terribly cool. I loved being your girl friend - your friend-who-was-a-girl - though that meant you treated me like one of the guys. Your real girlfriend, Gina, didn't deserve you, in my well-considered opinion. You were constantly heartsick over her, and because I was the friend-who-was-a-girl, I heard a lot about that. She *was* in the popular crowd, and she seemed to string you along more than she dated you. But you were loyal. I hated her. I hated how she treated you. I would have treated you better. If only I didn't have a boyfriend already. If only you weren't so hung up on her and would notice me as more than your pal. But being your pal was so nice that I almost (almost) didn't mind.
I loved hanging out at your house. Your dad had such a strong accent I could barely understand him and you were all bilingual, but your parents always made a point of speaking English when I was there to include me. Your dad's name was Pedro, too, a fact I found much more charming than the fact that both my brother and father were named John. Your parents took walks together in the evening and held hands, which I found terribly romantic. I wanted some of that to rub off on me. My impression of love so far was that it was fragile and fraught with peril. I'd never been around adults who were mellow in love like that and I was fascinated.
My mom thought you were such a nice young man, and you were, really. It was usually me suggesting the slightly bad behavior that we got up to. I found out years later that you just didn't tell me about the parties where there was going to be drinking because you were trying to protect me, but when I found out about them anyway and dragged you along, you kept careful tabs on me. I'm sure it was your idea to climb up on the roof of our neighborhood church that night, though. You told me you went up there sometimes to think, and the sky was so clear and full of stars that I wanted to get closer to it. Once I was up there, though, my fear of heights kicked in and I couldn't get back down so you had to help me. I swear I wasn't faking a phobia to get you to put your arms around me, but I certainly enjoyed the feeling, once my feet touched the ground again and my panic subsided. I'm not sure if my shaking hands while we walked home were from adrenaline or your proximity, but either you didn't notice or were too gallant to comment.
We had met in art class at the beginning of our Sophomore year, just after I moved to the neighborhood, before I realized you lived on the next block. We two were the serious ones, the teacher's pets. The ones she thought were going somewhere. We did both go on to study art in college, but I always knew that of the two of us you were the talented one. For me, it was work. I had the technical skill, but not your soul. Your soul was probably why I was so drawn to you. I wanted that to rub off on me, too.
I went to visit you at San Diego State only once. You gave me a proud tour through the weekend-empty art department. You had a key to the printing rooms - always the teacher's pet. You showed me the print series you were working on, and described the process of etching and printing off a lithography stone and then grinding it smooth for the next print. I was deeply impressed with the process and your obvious joy but I didn't really get the gravity of what you were doing until I took a lithography class a couple years later and the instructor told us that the quarry where that particular kind of stone was dug was nearly empty. Those printing stones were getting really rare and precious and as students we didn't rank high enough to use them. I only ever got to print off of the cheap metal plates that sort of approximated the process. Those prints you were making off your stone were breath-taking. Dark wild forms, half abstract. Long-legged horses or maybe dogs, scratchy bird's wings. I didn't understand them at all, but I could feel their power. This was nothing like the work I was doing. I was just cranking out assignments - still life fruit and a man sitting in a chair. Color wheels. I was learning mediums and theory. You were making art. Mine didn't have any particular meaning. I didn't know how to make them have meaning. But you didn't know how not to.
After the tour, you took me back to the funky rental house you shared with your girlfriend on the tree-lined street that would have been charming if not for the other student rentals on the block and the nearly constant party that was going on in the house next door. Our entertainment for the evening was the band in the backyard. Since it was a warm night we left both front and back doors open and had great live funk music while we sat on the couch and talked. When the police came the first time, we hid our alcohol but watched from the porch while the party goers staggered off in all directions. Some of them drifted back after a while and the party continued at a duller roar for a while, until the frat bus pulled up across the street. We sipped the beers we'd retrieved from behind the couch and under the coffee table and sat on the front steps watching as each guy in turn disembarked from the bus, took a few steps, unzipped and urinated on the sidewalk and lawn before heading in to the party. There wasn't a lot of sleep for anyone that night.
On the long bus ride back north I thought about you, trying to figure out how you had changed. I had expected you to leave me behind in the world of art, I just hadn't expected it so soon. But there was more. You were different. You seemed hollow and vaguely sad. Worn out. Somehow empty, as if the emotional depth of your paintings was wringing you dry. I wanted to protect you, the way I had wanted to protect you from pouring out your heart into Gina's undeserving hands, but I really had no idea how, any more now that I had then. And you had a woman in your life already, and professors supporting you and urging you on. A promising art career shimmering there in front of you, and you seemed to want it. And I was no longer just down the street but at the other end of the state. I was not longer part of your life. No longer your gal pal.
We drifted a bit after that and mostly lost touch. I emailed to see if you were going to our 10-year reunion, but you said no way. It had taken you 10 years to get over high school. Was it really that bad for you? For all of my protectiveness, did I actually overlook that you were that miserable?
The last time we spoke you were living in Santa Barbara. We chatted on the phone while you roasted tomatoes on the grill in your backyard. I had recently married and you were sweetly happy for me. You had all but quit painting, while I was tentatively starting again though when you asked me what my paintings were about I still couldn't say. You were working in a museum, curating shows, handling other people's work. You liked it, you said. I wanted to believe you, and almost did. You had been in a relationship with a wonderful woman for a long time and she wanted to get married, but you weren't sure. You felt a bit unsettled. You were thinking of going home to Spain for a while, living with your Aunt in Madrid. When we hung up I ached for the old closeness of our friendship, but could feel that too much time had passed and we were too far apart from each other to pick up those threads the same way again.
There were bombs in the subway in Madrid that summer, and I have not been able to find you since. I sense that you are alive and out there in the world somehow, but those threads that once bound us close have frayed and let go. I miss you, Pedro. I hope that you are somewhere painting wild things again, but have found a way to hold enough of your heart in to sustain you.